Monday, August 20, 2012

Dummysuper


Customer Rating :
Rating: 4.7

List Price : $13.98 Price : $5.39
Dummy

Album Description

Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008.

Amazon.com

The collaboration of studio whiz Geoff Barrow and singer Beth Gibbons, Dummy was made at the same time as a short film noir called "To Kill a Dead Man," and the same approach--gloomy, tormented, and wildly melodramatic--permeates the album. "Sour Times" (the hit in which Gibbons cries, again and again, "Nobody loves me, it's true") and the more cryptic "Glory Box" are the linchpins of the album, defining its sound: dark flashes of old soul and film music, dehumanized electronic bleeps, Gibbons emoting like she's consumed by shame, and a bass-and-beat pulse derived from the slow bump and grind of the Bristol scene that spawned Barrow's old collaborators, Massive Attack. --Douglas Wolk


  • Portishead - Dummy


Dummy Reviews


Dummy Reviews


Amazon.com
Customer Reviews
Average Customer Review
280 Reviews
5 star:
 (233)
4 star:
 (26)
3 star:
 (10)
2 star:
 (7)
1 star:
 (4)
 
 
 

104 of 106 people found the following review helpful
5.0 out of 5 stars Coldly Sensual and Smoothly Retro Memories, June 14, 2000
By 
This review is from: Dummy (Audio CD)
This is definitely another five-star item from me. Every time I listen to it, no matter how long it's sat in my CD shelf (forgotten, but only temporarily and never for too long), I am constantly surprised by how great it is...ahh the joy of "rediscovering" a favorite.

Dark and moody, much of the album sounds like a memory...of a place you've been once, or a movie you saw, or music you heard as you drove by an open window or door late one night in the city. Some of it is incredibly sexy (like "Numb," "Pedestal," and the awesome "Glory Box"), other parts are mournful (like "Biscuit," "Sour Times," "It's a Fire," and "It Could Be Sweet"), and still more are mysterious or just plain funky ("Mysterions" and "Strangers").

It's really hard to pick a favorite song on this album...almost all of them perfectly fit different moods I have at different times. They seem to encompass an... Read more

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72 of 75 people found the following review helpful
5.0 out of 5 stars A perennially fresh sounding album.., April 8, 2003
By 
Shashank Tripathi (Gadabout) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Dummy (Audio CD)
If it wasn't for Portishead's vocalist Beth Gibbons, you could listen to Dummy all of the time. With tight, fresh hip-hop beats and a subtle jazz flavor, most of Dummy is danceable, although the band do have a knack for creating an especially eerie mood with moaning organs and swelling strings. But when Gibbons enters the scene, her clear delicate vibrato casts a shadow of isolation and absolute melancholy over the whole album.

Portishead easily draw you into their lonely world, and their ambient trip-hop entices you to stay. Songs like "Numb" and "Biscuit" are dark trances enduced by the combination of hip-hop, mellow guitars, and a variety of samples coated by Gibbon's desperate pleas for salvation. Hearing her cry, "Nobody loves me, it's true" (from the superhit "Sour Times") is enough to tear at anyone's heart.

On "Roads" - a track already enveloped in sorrowful elegant strings - Gibbon's soprano trembles with pain. However,... Read more

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37 of 37 people found the following review helpful
5.0 out of 5 stars This is the beginning of forever and ever....., March 29, 2000
This review is from: Dummy (Audio CD)
Portishead's miraculous debut, Dummy, is soul music in the truest sense of the word, a journey into the heart of darkness which leaves you emotionally exhausted and bewildered, but ultimately intoxicated. Beth Gibbons' voice is white light refracted through a shattered psyche: at times pure, resonant and beautiful, at others desperate, hysterical and bordering on the deranged. The music is often suffocating, the power of the bass seeping into the marrow of your bones, while the breakbeats attempt to destroy your eardrums: the sound of sanity disintegrating.

Mysterons steals into your consciousness like an electronic dream, but it is Sour Times that really kicks you awake, full-on John Barryesque orchestration attacks your senses, providing Beth with a backdrop to enchant you with her siren's song, "Nobody loves me, it's true - not like you do". The album descends into the depths for much of the middle period, Wandering Star and Numb darkly funereal shards of... Read more

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